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Bernard Herrmann

From HitStory, the pop encyclopedia of School of Rock · Artist

Bernard Herrmann was born in 1911 in New York and first worked for radio, including with Orson Welles. With Welles he made his film debut in Citizen Kane (1941). Herrmann did not like long melodies. He built his music from short motifs, which he repeated and shifted. For each film he chose an unusual instrumentation: two theremins in The Day the Earth Stood Still (1951), only strings in Psycho (1960). With Alfred Hitchcock he worked on, among others, Vertigo (1958) and Psycho. The screeching strings of the shower scene are world-famous. His last score, for Taxi Driver (1976), with a sultry alto saxophone, he completed shortly before his death.

Listening

Listening tip. Notice how a short motif of two or three notes is repeated and shifted again and again, instead of growing into a melody.

Discography

Studio albums

In School of Rock

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Mentioned in other articles

See also