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Tōru Takemitsu

From HitStory, the pop encyclopedia of School of Rock · Artist

Tōru Takemitsu (1930–1996) was almost entirely self-taught and began in the artists' group Jikken Kōbō, where he experimented with tape and electronics. He wrote music for nearly a hundred films. In them he worked like a sound designer: in Seppuku (1962) the biwa sounds alongside electronically processed sounds, in Suna no onna (1964) strings are treated so that they resemble sand and wind, and in Kaidan (1964) he used sounds such as breaking wood. For Kurosawa's Ran (1985), by contrast, he wrote a large orchestral work reminiscent of Mahler. He allowed a great deal of silence and used music sparingly, which made his influence on later film composers great.

Listening

Listening tip. Listen to the tone colour rather than the melody: long, floating chords, silence as part of the music and processed instrumental sounds.

Discography

Studio albums

Other work

In School of Rock

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Mentioned in other articles

See also