2 languages
Tomás Luis de Victoria
From HitStory, the pop encyclopedia of School of Rock · Artist
Tomás Luis de Victoria was born around 1548, probably in Ávila, and died in 1611 in Madrid. He is regarded as the most famous Spanish composer of the Renaissance and stands beside Palestrina and Orlande de Lassus as one of the most important composers of the late Renaissance. His father died in 1557, and his uncle, a priest, became his guardian. He was a choirboy at Ávila Cathedral. With an allowance from Philip II he went to Rome in 1565, where he became a singer at the Collegium Germanicum and possibly studied with Palestrina. In 1574 he was ordained a priest. In 1587 he returned to Spain, as chaplain to the Empress María at the Descalzas Reales convent in Madrid, where he later became organist.
Music and breakthrough
His surviving work consists almost entirely of sacred, polyphonic vocal music on Latin texts: masses, motets, antiphons and responsories. In 1572 his first book of motets appeared, and in 1585 the Officium Hebdomadae Sanctae, which includes the Tenebrae Responsories for Holy Week. His masterpiece is the Officium Defunctorum from 1605, a requiem for the Empress María. He also wrote for more than one choir, following the example of the Venetian school.
Influence
Victoria shuns the intricate counterpoint of many of his contemporaries and chooses simple lines and homophonic textures, with strong rhythmic contrasts and sometimes pictorial word-setting as in a madrigal. His melodies and dissonances are freer than Palestrina's. Many listeners hear a mystical intensity and direct emotion in his music. His work enjoyed a revival in the twentieth century, with many recordings, including by The Tallis Scholars.
Listening
Discography
Studio albums
- 1968Requiem Mass sex vocibus / Gaudent in coelis / O magnum mysterium / Ave Maria / Ascendens Christus
- 1970O Quam Gloriosum
- 1974Four Motets / Missi Quarti Toni
- 1986Ave Maris Stella / O Quam Gloriosum
- 1987O Magnum Mysterium / Ascendens Christus in altum
- 1987Requiem
- 1987Victoria Requiem
- 1987Victoria: Requiem (Officium defunctorum). Lobo: Versa est in luctum.
- 1988Missa "Vidi Speciosam"
- 1989Responsories for Tenebrae
- 1990Lamentations / Tenebrae responsories
- 1990Tenebrae Responsories
- 1990Victoria: Tenebrae Responsories
- 1992Cantica Beatae Virginis
- 1992Tenebrae Responsories
- 1993Victoria: Missa O magnum mysterium / Missa O quam gloriosum / Lobo: Versa est in luctum
- 1995Requiem Officium Defunctorum, 1605
- 1995Victoria / Lobo / Lasso: Masses
- 1996Missa Dum complerentur
- 1997Tomás Luis de Victoria Devotions and Lamentations
- 1998Tomás Luis de Victoria - Volume III: The Call of the Beloved
- 1999Motets by Victoria and Josquin des Prez
- 2000Missa Gaudeamus / Missa Pro Victoria / Motets
- 2001Tenebrae Responsories
- 2002Officium Defunctorum
- 2003Responsori
- 2003The Call of the Beloved
- 2004Et Iesum
- 2004Requiem (Officium Defunctorum 1605)
- 2004The Mystery of the Cross
- 2005Devotion to Our Lady
- 2005Officium Hebdomadæ Sanctæ
- 2005Requiem 1605: Officium Defunctorum
- 2007Motecta 1572
- 2008Ad Vesperas: le manuscrit inédit de Rome
- 2009Lamentations
- 2009Missa Gaudeamus
- 2009Song of Songs
- 2010Lamentations of Jeremiah
- 2011Hail, Mother of the Redeemer
- 2011Missa De Beata Maria Virgine / Missa Surge propera / Salve regina
- 2011Requiem Mass, 1605
- 2011Sacred Works
- 2012Adios Mi Amor - Duets For Vihuelas
- 2012La fiesta de Pascua en Piazza Navona
- 2012Officium Defunctorum
- 2013Responsories and Lamentations for Holy Saturday
- 2013Tenebrae Responsories
- 2016Roma Æterna
- 2017Nordic Voices Sing Victoria
- 2017Secret History
- 2018Tenebrae Responsories
- 2019A Spanish Nativity
- 2020Salve, Salve, Salve: Josquin’s Spanish Legacy
- 2021Geistliche Chormusik aus Spanien
- ?Missa "Ut, Re, Mi, Fa, Sol, La" And Other Sacred Works
