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Arcangelo Corelli

From HitStory, the pop encyclopedia of School of Rock · Artist

Arcangelo Corelli was born in 1653 in Fusignano, in Romagna, then part of the Papal States. His father died five weeks before he was born. He was trained in Bologna and Rome and spent most of his career in Rome, under the protection of wealthy patrons. In 1675 he was already playing there as a violinist in the oratorios of the Florentine church. Later he led festive performances for Queen Christina of Sweden and lived in the palace of Cardinal Pietro Ottoboni, where for a long time he directed the famous Monday concerts.

Music and breakthrough

His entire oeuvre consists of only six published collections, five of sonatas and one of concerti grossi. Opus 5 contains twelve sonatas for violin and basso continuo, the last of which is La Follia, a series of variations on a well-known theme. Opus 6, twelve concerti grossi, appeared in 1714, a year after his death in Rome. He was buried in the Pantheon. His work was key to the development of the sonata and the concerto, established the violin as the leading instrument and for the first time brought together modern tonality and functional harmony.

Influence

Corelli's way of playing lived on in pupils such as Francesco Geminiani and Pietro Locatelli, and his music influenced a whole generation of composers, including Vivaldi, Handel and Bach. It sounds clear, balanced and songlike, without exuberant violin fireworks. The concerto grosso sets a small group of soloists against the whole orchestra. His La Follia was later used again by composers such as Rachmaninoff, who wrote piano variations on it.

Listening

Listening tip. Listen to the Allegro from Concerto grosso Op. 6 No. 8. Notice how a small group of soloists and the full string orchestra alternate and answer one another.

Discography

Studio albums

Mentioned in other articles

See also